História, literatura e cinema: um debate sobre a historicidade das imagens dos piratas e da pirataria
We seek, through this work, to understand the construction of the pirates’ images from the Golden Age of Piracy (late seventeenth through early eighteenth century) through the observation of the circulation of these images, which are not limited to one field of knowledge. We take into account the im...
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| Formato: | tesis de maestría |
| Estado: | Versión publicada |
| Fecha de publicación: | 2016 |
| País: | Brasil |
| Recursos: | Universidade Federal de Uberlândia (UFU) |
| Repositorio: | Repositório Institucional da UFU |
| Idioma: | portugués |
| OAI Identifier: | oai:repositorio.ufu.br:123456789/17745 |
| Acesso em linha: | https://repositorio.ufu.br/handle/123456789/17745 http://doi.org/10.14393/ufu.di.2016.114 |
| Access Level: | acceso abierto |
| Palavra-chave: | História Historiografia Piratas - História Johnson, Charles - Uma história geral dos roubos e crimes de piratas famosos Piratas Regime estético Historicidade das imagens cinematográficas dos piratas Pirates Historiography Aesthetic regime Historicity of the cinematographic images of pirates CNPQ::CIENCIAS HUMANAS::HISTORIA |
| Resumo: | We seek, through this work, to understand the construction of the pirates’ images from the Golden Age of Piracy (late seventeenth through early eighteenth century) through the observation of the circulation of these images, which are not limited to one field of knowledge. We take into account the importance of the book “A General History of the robberies and murders of the most notorious pirates...” written by Charles Johnson for these constructions, not only literary, but also historiographical provided that the stories of pirates and piracy gained ground in historiography from the twentieth century on. We also seek to show that this historiographical space arises opposed to an apparent historiographical silence about these stories that lasts for about two centuries, related to a new way of writing history in the aesthetic regime, where it arises as a science through a poetics of knowledge, of which the philosopher Jacques Rancière helps us reflect. Lastly, reflecting upon how these images of pirates circulate nowadays, we seek to understand the historicity of the pirates’ images within that aesthetic regime based on some scenes of the film series Pirates of the Caribbean by Disney™. |
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