Musical and Bibliographic Notes: An Evidential Analysis of Ferdinand Denis' Notes in Une Fête Brésilienne
The present paper consists of an analysis of the bibliographical notes in the work Une Fête Brésilienne, by the french author Ferdinand Denis, through the perspective of the evidential paradigm proposed by Carlo Ginzburg. In the work, Denis reconstructs the picturesque festival held in Rouen, in 155...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Brasil |
| Institución: | Universidade de Brasília (UnB) |
| Repositorio: | Em Tempo de Histórias (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.pkp.sfu.ca:article/42129 |
| Acceso en línea: | https://periodicos.unb.br/index.php/emtempos/article/view/42129 |
| Access Level: | acceso abierto |
| Palabra clave: | Música Festa Cultura Music Feast Culture |
| Sumario: | The present paper consists of an analysis of the bibliographical notes in the work Une Fête Brésilienne, by the french author Ferdinand Denis, through the perspective of the evidential paradigm proposed by Carlo Ginzburg. In the work, Denis reconstructs the picturesque festival held in Rouen, in 1550, in honor of the monarchs Henrique II and Catherine de Médici. However, the bibliographical notes present in the work offer us evidence of great importance for the study of the Social History of Culture in the beginning of modernity, as it informs about the origin of individuals who figured as “attractions” and of those who occupied the function of guests. Furthermore, the notes present details about the music and other festive cultural practices of colonial Brazil. |
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