Molduras fotojornalísticas da Magnum: ensaios audiovisuais de guerra e de rituais de fé
The research aims to study into photojournalism essays that form part of the project "Magnum in Motion produced by the photo agency Magnum, available on the internet and accessible to participator. The study's central purpose is to examine the use of communication and artistic framing assi...
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| Tipo de recurso: | tesis de maestría |
| Estado: | Versión publicada |
| Fecha de publicación: | 2014 |
| País: | Brasil |
| Institución: | Universidade Federal da Paraíba (UFPB) |
| Repositorio: | Biblioteca Digital de Teses e Dissertações da UFPB |
| Idioma: | portugués |
| OAI Identifier: | oai:repositorio.ufpb.br:tede/4486 |
| Acceso en línea: | https://repositorio.ufpb.br/jspui/handle/tede/4486 |
| Access Level: | acceso abierto |
| Palabra clave: | Agência Magnum Ensaio fotojornalístico Enquadramento Moldura Audiovisual Magnum Photos Photojournalism Essays Frame Framing CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
| Sumario: | The research aims to study into photojournalism essays that form part of the project "Magnum in Motion produced by the photo agency Magnum, available on the internet and accessible to participator. The study's central purpose is to examine the use of communication and artistic framing assigned to the limits of images in the essays Theater of War (2011) by Moises Saman and Entre ciel et terre (2011) by Cristina Rodero. One of the objectives will be to seek to identify the principal characteristics of the framework identified in the essays: the first essay depicts the last days of former dictator Muammar Gaddafi in the midst of a civil war known as the Libyan Revolution, the second deals with the dualities of different peoples cultural traditions and paganism rituals. The frames of the images delimit information whilst at the same time expressing esthetic feelings, always from the photographers point of view, constituting an audio-visual language of its own, with their own repertoire, combination rules and use. Our theoretical framework for the study of framing uses the authors Aumont (2004, 2006), Martin (2005), Nöth (2006) and Deleuze (1983). Our methodological procedure will be to take into account the dynamic of each essay, maintaining initially a spontaneous contact with the material then moving to define reading strategies such as to identify types of framing, examine forms of image cropping and other significant journalistic and artistic functions. |
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