The amateur gesture in the cinema of Julio Bressane
Julio Bressane’s filmography is influenced by the use of home movies, amateur images and travelogues. In this article, we reflect on the presence of amateur gestures in his filmography based on three axes of analysis: 1) the subversion of family iconographies; 2) amateurism as an aesthetic and polit...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2020 |
| País: | Brasil |
| Institución: | Universidade de São Paulo (USP) |
| Repositorio: | Significação (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:revistas.usp.br:article/162406 |
| Acceso en línea: | https://www.revistas.usp.br/significacao/article/view/162406 |
| Access Level: | acceso abierto |
| Palabra clave: | Julio Bressane Imagem amadora Análise fílmica Amateur image Film analysis |
| Sumario: | Julio Bressane’s filmography is influenced by the use of home movies, amateur images and travelogues. In this article, we reflect on the presence of amateur gestures in his filmography based on three axes of analysis: 1) the subversion of family iconographies; 2) amateurism as an aesthetic and political force, and 3) the travelogue and the world’s cinematic geography. This film analysis approach also encompasses the complexities and the various meanings that amateur gestures can assume. |
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