As três caravelas de 68
Amidst the complex political-social turmoil that lent the year of 1968 in Brazil a unique character, a group emerged who shook the whole cultural scene, forcing it to rearrange itself completely, in aesthetic and ideological terms. This text identifies three well outlined artistic trends in 68: the...
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| Tipo de documento: | artigo |
| Estado: | Versão publicada |
| Data de publicação: | 2021 |
| País: | Brasil |
| Recursos: | Universidade Federal de Minas Gerais (UFMG) |
| Repositório: | Repositório Institucional da UFMG |
| Idioma: | português |
| OAI Identifier: | oai:repositorio.ufmg.br:1843/66340 |
| Acesso em linha: | http://hdl.handle.net/1843/66340 https://orcid.org/0000-0002-3726-4670 |
| Access Level: | Acceso aberto |
| Palavra-chave: | Tropicália Caetano Veloso Gilberto Gil Brasil - Cultura popular Gil, Gilberto, 1942- Veloso, Caetano, 1942- |
| Resumo: | Amidst the complex political-social turmoil that lent the year of 1968 in Brazil a unique character, a group emerged who shook the whole cultural scene, forcing it to rearrange itself completely, in aesthetic and ideological terms. This text identifies three well outlined artistic trends in 68: the avantgarde, the populist and the tropicalia and compares them to Columbus’ three caravels, celebrated in a Caribbean song that Caetano Veloso e Gilberto Gil recorded in that year. Today, Tropicália, as a cultural movement, still inspires us due to the disposition of its young participants to stand up to a political scenario that seemed to offer no perspective of change. |
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