Masterplano: radical mediation in online party ambiences in the pandemic context
With COVID-19 pandemic and the growth of parties in online platforms, several practices in digital media ecology ambiences were configured. The purpose of this article is to investigate the networks of mediations established in electronic music parties in platforms, highlighting the french platform...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Brasil |
| Institución: | Universidade Federal Fluminense (UFF) |
| Repositorio: | Mídia.e.Cotidiano |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.pkp.sfu.ca:article/52164 |
| Acceso en línea: | https://periodicos.uff.br/midiaecotidiano/article/view/52164 |
| Access Level: | acceso abierto |
| Palabra clave: | mediação radical plataforma música eletrônica affordances mediación radical música electrónica radical mediation platform electronic music |
| Sumario: | With COVID-19 pandemic and the growth of parties in online platforms, several practices in digital media ecology ambiences were configured. The purpose of this article is to investigate the networks of mediations established in electronic music parties in platforms, highlighting the french platform Shotgun, which sets the work of Masterplano, an artistic collective from Belo Horizonte/Minas Gerais. This investigation is based in the concepts of radical mediation and platform studies and highlights the Masterplano online party in Chromakeyla Tour, in the Shotgun platform, which took place in June 2020 as an object of analysis. |
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