Atitude de arte, arte da atitude: o Dandismo performático de Gilbert & George

The article deals with the relationship between Dandyism and the performance work developed by Gilbert & George. We intend to demonstrate how the idea of living sculpture was aligned with the rigorous discipline of the technology of the self, through which artists transcended the process of repr...

Descripción completa

Detalles Bibliográficos
Autor: Angélica Oliveira Adverse
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2017
País:Brasil
Institución:Universidade Federal de Minas Gerais (UFMG)
Repositorio:Repositório Institucional da UFMG
Idioma:portugués
OAI Identifier:oai:repositorio.ufmg.br:1843/53139
Acceso en línea:https://doi.org/10.22456/2357-9854.70909
http://hdl.handle.net/1843/53139
http://orcid.org/0000-0002-8938-8819
Access Level:acceso abierto
Palabra clave:Dandismo
Elegância
Corpo-Artístico
Artes
Filosofia
id BR_e386a845d89dfcf3a47f4e4fa2d9fac4
oai_identifier_str oai:repositorio.ufmg.br:1843/53139
network_acronym_str BR
network_name_str Brasil
spelling Atitude de arte, arte da atitude: o Dandismo performático de Gilbert & George Attitude of art, art attitude: the performatic Dandyism of Gilbert & George Angélica Oliveira Adverse Dandismo Elegância Corpo-Artístico Artes Filosofia The article deals with the relationship between Dandyism and the performance work developed by Gilbert & George. We intend to demonstrate how the idea of living sculpture was aligned with the rigorous discipline of the technology of the self, through which artists transcended the process of representing the scene. We will present how the notions of the attitude of art and the art of attitude, introduced in the performance by Gilbert & George, were associated with the processes of subjectivation of Dandyism that gave life to an aesthetic character. This body practice introduced in art has contributed to a postdramatic attitude. We intend to point out how Dandyism relates to the performance work of Gilbert & George in the process of "de-dramatization" and is partly responsible for reorganizing the perceptual patterns of the scene and the relation of the artist to his own body. Our hypothesis starts from the question of the body-art, observing how the practices of the culture of the self contribute to the reinvention of the artist as a work of art. O artigo trata da relação entre o Dandismo e o trabalho de performance desenvolvido por Gilbert & George. Pretendemos demonstrar como a ideia da escultura-viva se alinhava à rigorosa disciplina da tecnologia de si, por meio da qual os artistas transcendiam o processo de representação da cena. Apresentaremos como as noções da atitude de arte e arte da atitude introduzidas na performance por Gilbert & George se associavam aos processos de subjetivação do Dandismo que conferiam à vida um caráter estético. Esta prática corporal introduzida na arte contribuiu para se pensar uma atitude pósdramática. Pretendemos apontar como o Dandismo se relaciona no trabalho performático de Gilbert & George com o processo de “des-dramatização”, sendo, em parte, responsável por reorganizar os padrões perceptivos da cena e a relação do artista com o seu próprio corpo. Nossa hipótese parte da questão do corpo-artístico, observando como as práticas do cultivo do si contribuem para a reinvenção do artista como obra de arte. Universidade Federal de Minas Gerais Brasil EBA - DEPARTAMENTO DE DESENHO EBA - ESCOLA DE BELAS ARTES UFMG https://doi.org/10.22456/2357-9854.70909 2357-9854 http://hdl.handle.net/1843/53139 http://orcid.org/0000-0002-8938-8819
title Atitude de arte, arte da atitude: o Dandismo performático de Gilbert & George
spellingShingle Atitude de arte, arte da atitude: o Dandismo performático de Gilbert & George
Angélica Oliveira Adverse
Dandismo
Elegância
Corpo-Artístico
Artes
Filosofia
title_short Atitude de arte, arte da atitude: o Dandismo performático de Gilbert & George
title_full Atitude de arte, arte da atitude: o Dandismo performático de Gilbert & George
title_fullStr Atitude de arte, arte da atitude: o Dandismo performático de Gilbert & George
title_full_unstemmed Atitude de arte, arte da atitude: o Dandismo performático de Gilbert & George
title_sort Atitude de arte, arte da atitude: o Dandismo performático de Gilbert & George
author Angélica Oliveira Adverse
author_facet Angélica Oliveira Adverse
author_role author
topic Dandismo
Elegância
Corpo-Artístico
Artes
Filosofia
topic_facet Dandismo
Elegância
Corpo-Artístico
Artes
Filosofia
description The article deals with the relationship between Dandyism and the performance work developed by Gilbert & George. We intend to demonstrate how the idea of living sculpture was aligned with the rigorous discipline of the technology of the self, through which artists transcended the process of representing the scene. We will present how the notions of the attitude of art and the art of attitude, introduced in the performance by Gilbert & George, were associated with the processes of subjectivation of Dandyism that gave life to an aesthetic character. This body practice introduced in art has contributed to a postdramatic attitude. We intend to point out how Dandyism relates to the performance work of Gilbert & George in the process of "de-dramatization" and is partly responsible for reorganizing the perceptual patterns of the scene and the relation of the artist to his own body. Our hypothesis starts from the question of the body-art, observing how the practices of the culture of the self contribute to the reinvention of the artist as a work of art.
publishDate 2017
format article
status_str publishedVersion
url https://doi.org/10.22456/2357-9854.70909
http://hdl.handle.net/1843/53139
http://orcid.org/0000-0002-8938-8819
language por
eu_rights_str_mv openAccess
publisher Universidade Federal de Minas Gerais
Brasil
EBA - DEPARTAMENTO DE DESENHO
EBA - ESCOLA DE BELAS ARTES
UFMG
institution UFMG
collection Repositório Institucional da UFMG
reponame_str Repositório Institucional da UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
_version_ 1878428656119840768
publishDateSort 2017
author_browse Angélica Oliveira Adverse
publisherStr Brasil
EBA - DEPARTAMENTO DE DESENHO
EBA - ESCOLA DE BELAS ARTES
UFMG
Universidade Federal de Minas Gerais
score 6,924472

Similares en LA Referencia