Divine glances: Elements of resistance to the iberian peninsula's colonization in afro-ecuadorian and afro-brazilian religious expressions [Miradas divinas: Elementos de resistencia a la colonización de la península ibérica en las expresiones religiosas afroecuatoriana y afrobrasileña]

Evidence of African origin in the people of Esmeraldas can be found in their religious expressions. Throughout history these elements, possessors of a specific identity, have been the very spaces of resistance to the cultural imposition of colonization. While the majority of the Afro-Ecuadoria popul...

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Detalles Bibliográficos
Autor: Gañán, R.P
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2016
País:Ecuador
Institución:Universidad de Cuenca
Repositorio:Repositorio Universidad de Cuenca
OAI Identifier:oai:dspace.ucuenca.edu.ec:123456789/28959
Acceso en línea:https://www.scopus.com/inward/record.uri?eid=2-s2.0-85010297861&partnerID=40&md5=11a0dbc65bdf37139e87d03dafb9fd96
http://dspace.ucuenca.edu.ec/handle/123456789/28959
Access Level:acceso abierto
Palabra clave:Ethnicity
Ethnospace
Religiosity
Religious Expressions
Resistance
Descripción
Sumario:Evidence of African origin in the people of Esmeraldas can be found in their religious expressions. Throughout history these elements, possessors of a specific identity, have been the very spaces of resistance to the cultural imposition of colonization. While the majority of the Afro-Ecuadoria population is Catholic, it is possible to find within its religiosity the components of resistance which have remained active, and which are in some respects similar to the expressions found in Brazil, constituting a symbolic cartography of spaces appropriated in daily life-undisciplined daily spaces-, hidden from the lances of civilization. In this context, this article's purpose is to present field research carried out in Esemeraldas (Ecuador) and Sao Paulo (Brasil) in search of common aspects of Afro-American religiosity. The article is a comparative study of two specific forms, namely, the arrullos of Ecuador and the Brazilian candomble.