Canti della nuova resistenza Spagnola 1939-1961: acercamiento a las canciones de resistencia en la España franquista
Canti della nuova resistenza spagnola (1939-1961) is, without a doubt, one of the books dedicate to music that has generated the most controversy after its publication. Produced by three members of the Italian Cantacronache ensemble, Michele L. Straniero and Sergio Liberovici with the collaboration...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2021 |
| País: | España |
| Institución: | Universidad Camilo José Cela (UCJC) |
| Repositorio: | RUIdeRA. Repositorio Institucional de la UCLM |
| OAI Identifier: | oai:ruidera.uclm.es:10578/44641 |
| Acceso en línea: | https://revista.uclm.es/index.php/cuadernosdeinvestigacionmusical/article/view/2567 https://hdl.handle.net/10578/44641 |
| Access Level: | acceso abierto |
| Palabra clave: | Canción protesta Cancionero Canciones de resistencia Canti della nuova resistenza spagnola Dictadura franquista Franco dictatorship Protest songs Resistance song Songbook |
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oai:ruidera.uclm.es:10578/44641 |
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Canti della nuova resistenza Spagnola 1939-1961: acercamiento a las canciones de resistencia en la España franquista Ossa Martínez, Marco Antonio de la Canción protesta Cancionero Canciones de resistencia Canti della nuova resistenza spagnola Dictadura franquista Franco dictatorship Protest songs Resistance song Songbook Canti della nuova resistenza spagnola (1939-1961) is, without a doubt, one of the books dedicate to music that has generated the most controversy after its publication. Produced by three members of the Italian Cantacronache ensemble, Michele L. Straniero and Sergio Liberovici with the collaboration of Margot, it was published by the Einaudi publishing house in Turin in 1962. It included a good number of songs and some poems against the Franco regime that they were collected on a trip that this Italian team made on a trip to Spain in the summer of 1961. In this paper we will try to define what they understood by songs of resistance. To do this, we will start from a brief approach to the genesis and characteristics of the songbook and then try to narrow down the terms of song, popular song and resistance, analyze their objective functions and try to differentiate, if possible, between the terms protest song, author, political or resistance song. Finally, we will attend to the importance that politics and propaganda had in the genesis and interpretation of a good number of songs. Canti della nuova resistenza spagnola (1939-1961) es, sin duda, uno de los libros dedicados a la música que mayor polémica generaron en torno a su publicación. Firmado por tres miembros del conjunto italiano Cantacronache, Michele L. Straniero, Sergio Liberovici y Margot, fue publicado por la editorial Einaudi en Turín en 1962. En él recopilaron veintiséis canciones y tres poemas contra el régimen franquista que fueron recogidos en un viaje que esta agrupación italiana efectuó en el verano de 1961 por distintas ciudades españolas. Debido a que aparece de forma evidente en el título, en este artículo trataremos de delimitar qué entendieron por canciones de resistencia. Por ello, partiremos de un breve acercamiento a la génesis y características del cancionero para, a continuación, intentar acotar los términos de canción, canción popular, folklórica y de resistencia, analizar sus funciones y objetivos y tratar de diferenciar, si es que es posible, los términos canción protesta, de autor, política o de resistencia. Por último, atenderemos a la importancia que la política y la propaganda tuvieron en la génesis e interpretación de un buen número de canciones, como es el caso. CIDoM, Centro Investigación y Documentación Musical https://revista.uclm.es/index.php/cuadernosdeinvestigacionmusical/article/view/2567 https://hdl.handle.net/10578/44641 |
| title |
Canti della nuova resistenza Spagnola 1939-1961: acercamiento a las canciones de resistencia en la España franquista |
| spellingShingle |
Canti della nuova resistenza Spagnola 1939-1961: acercamiento a las canciones de resistencia en la España franquista Ossa Martínez, Marco Antonio de la Canción protesta Cancionero Canciones de resistencia Canti della nuova resistenza spagnola Dictadura franquista Franco dictatorship Protest songs Resistance song Songbook |
| title_short |
Canti della nuova resistenza Spagnola 1939-1961: acercamiento a las canciones de resistencia en la España franquista |
| title_full |
Canti della nuova resistenza Spagnola 1939-1961: acercamiento a las canciones de resistencia en la España franquista |
| title_fullStr |
Canti della nuova resistenza Spagnola 1939-1961: acercamiento a las canciones de resistencia en la España franquista |
| title_full_unstemmed |
Canti della nuova resistenza Spagnola 1939-1961: acercamiento a las canciones de resistencia en la España franquista |
| title_sort |
Canti della nuova resistenza Spagnola 1939-1961: acercamiento a las canciones de resistencia en la España franquista |
| author |
Ossa Martínez, Marco Antonio de la |
| author_facet |
Ossa Martínez, Marco Antonio de la |
| author_role |
author |
| topic |
Canción protesta Cancionero Canciones de resistencia Canti della nuova resistenza spagnola Dictadura franquista Franco dictatorship Protest songs Resistance song Songbook |
| topic_facet |
Canción protesta Cancionero Canciones de resistencia Canti della nuova resistenza spagnola Dictadura franquista Franco dictatorship Protest songs Resistance song Songbook |
| description |
Canti della nuova resistenza spagnola (1939-1961) is, without a doubt, one of the books dedicate to music that has generated the most controversy after its publication. Produced by three members of the Italian Cantacronache ensemble, Michele L. Straniero and Sergio Liberovici with the collaboration of Margot, it was published by the Einaudi publishing house in Turin in 1962. It included a good number of songs and some poems against the Franco regime that they were collected on a trip that this Italian team made on a trip to Spain in the summer of 1961. In this paper we will try to define what they understood by songs of resistance. To do this, we will start from a brief approach to the genesis and characteristics of the songbook and then try to narrow down the terms of song, popular song and resistance, analyze their objective functions and try to differentiate, if possible, between the terms protest song, author, political or resistance song. Finally, we will attend to the importance that politics and propaganda had in the genesis and interpretation of a good number of songs. |
| publishDate |
2021 |
| format |
article |
| url |
https://revista.uclm.es/index.php/cuadernosdeinvestigacionmusical/article/view/2567 https://hdl.handle.net/10578/44641 |
| eu_rights_str_mv |
openAccess |
| publisher |
CIDoM, Centro Investigación y Documentación Musical |
| institution |
Universidad Camilo José Cela (UCJC) |
| collection |
RUIdeRA. Repositorio Institucional de la UCLM |
| reponame_str |
RUIdeRA. Repositorio Institucional de la UCLM |
| instname_str |
Universidad Camilo José Cela (UCJC) |
| _version_ |
1878443009916272640 |
| publishDateSort |
2021 |
| author_browse |
Ossa Martínez, Marco Antonio de la |
| publisherStr |
CIDoM, Centro Investigación y Documentación Musical |
| score |
6.9303427 |