Ludwig Wittgenstein. Itinerari arquitectònic d’un filòsof analític
[EN] The architectural condition and its connotations in other areas of culture, such as analytical philosophy, is a challenge that can be observed through the figure of the intellectual from 19th century Vienna, Ludwig Wittgenstein. His obsessive dedication, a manifest disposition in any work that...
| Autores: | , , |
|---|---|
| Tipo de recurso: | artículo |
| Fecha de publicación: | 2021 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | catalán inglés |
| OAI Identifier: | oai:riunet.upv.es:10251/178435 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/178435 |
| Access Level: | acceso abierto |
| Palabra clave: | Wittgenstein Style Logic Architectural space Tractatus Estil Lògica Espai arquitectònic Estilo Lógica Espacio arquitectónico Vicent Gascó Masot Xàtiva Architecture Travaux publics Hydraulique |
| Sumario: | [EN] The architectural condition and its connotations in other areas of culture, such as analytical philosophy, is a challenge that can be observed through the figure of the intellectual from 19th century Vienna, Ludwig Wittgenstein. His obsessive dedication, a manifest disposition in any work that occupies his time, would lead to a clear foray into the profession of architect, among other activities. His imprint was exposed in his work and perpetuated through the iconic Stonborough house, built for his sister in Vienna. In it, he will culminate a work that testifies to the mastery of interior spatial proportion, rationality and control over architectural detail to its last consequences. His masterpiece “Tractatus Logico-Philosophicus” (1921), together with “Being and Time” by Martin Heidegger (1927), constitute the two referents of Western thought of the last century. In it, he investigates the exercise carried out by the philosopher, in the context of architecture. He addresses the exact representation of the world through the application of a deductive logic method, with properly ordered propositions with which to structure what for him constitutes the essential event of the architectural “fact.” |
|---|